If you read much about the
2008 World Voices festival, you probably came across the name of
Péter Esterházy, who was a hit everywhere he went—
sharing the bill with Ian McEwan, Michael Ondaatje, and others;
protesting government incursions into our privacy; and
talking with Wayne Koestenbaum.
Or perhaps you were ahead of the curve, and read about his masterwork
Celestial Harmonies in 2004, when it was published in the US (and was
raved about in Slate by none other than
Aleksandar Hemon—another
festival participant this year).
In any case, a couple of
excellent blogs flagged
this recent article in
Hungarian Literature Online about his follow-up to
Celestial Harmonies, called
Revised Edition. After writing 1,000 pages about his male ancestors (who more or less ran Hungary for a few centuries, from what I understand) in the former book, he discovered that the most immediate of these ancestors, his father, was an informant for the Communist government which had brought low his aristocratic clan.
It’s an amazing story. I heard Esterházy tell it to
Koestenbaum back in May—and then, more recently, I read Esterházy’s preface to
Revised Edition, which provided some additional details. The preface was translated for us by the wonderful Judith Sollosy, who also translated
Celestial Harmonies. We thought we might publish it along with the Koestenbaum conversation in
PEN America 9 (which will
also feature a typically smart and gorgeous essay in five-word lines by Wayne). For a variety of reasons, the preface didn’t work in this particular issue—but yesterday I had the chance to talk with Judith, and got some good news about another Esterházy project: a very different follow-up to
Celestial Harmonies, a novel about mothers rather than fathers, called (in the Hungarian original, anyway)
No Art!
Judith has agreed to write something for this blog in the near future, filling in Esterházy's growing American fanbase on all of these matters. So if you're a part of that group, watch this space.
(Photo credit:
Beowulf Sheehan, taken at the
Town Hall reading,
2008 PEN World Voices Festival.)
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