Our contributors elsewhere

James Wood -- whose essay “Virginia Woolf’s Forgetful Selves,” appeared in our first issue -- reviews Shahriar Mandanipour’s novel Censoring an Iranian Love Story in this week’s New Yorker. Mandanipour’s book, which has not been published in Iran, is, in Wood’s words,
not simply prohibited by censorship but made by it. For Mandanipour, the censor is a kind of co-writer of the book, and he appears often in this novel, under the alias of Porfiry Petrovich (the detective who chases Dostoyevsky’s Raskolnikov). We see him squabbling with Mandanipour, chatting to another Iranian writer, plotting alternative stories for Dara and Sara, striking out offensive phrases, and finally falling in love with Sara.

Mandanipour hinted at the story of Dara and Sara in a talk, “The Life of a Word,” published in PEN America 8: Making Histories.

Petina Gappah, whose story “Rosie’s Bridegroom” appears in our latest issue, also has a story in issue 8 of A Public Space, entitled “The Mupandawana Dancing Champion.” Both stories are available online. You should also check out Petina’s blog.

Jeremy Schmall, whose poem “The Functioning Synapse Papered Over” appears in our latest issue, has written an essay about poetry and capitalism for HTML Giant.

Finally, Toni Morrison talks about free expression and the essay collection Burn This Book, which she edited, and which was published by HarperStudio in conjunction with PEN American Center.


King said...

"HarperStudio"? Wait-- isn't this still HarperCollins, owned by Rupert Murdoch? Oh, I love the "indy" look of the enterprise.
Is PEN shilling for monopolies?
HarperStudio claims to be existing "on the edge."
Er, no.

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